By Stephanie Laurens
Unique e-book: 2007
In a second of recklessness, Gervase Tregarth, sixth Earl of Crowhurst, swears he'll marry the following eligible girl to pass his course. Cloistered at his ancestral citadel in Cornwall, with nary an appropriate girl for miles, he by no means expects he'll need to satisfy his pledge, at the least no longer till the London Season starts. yet then he meets his neighbor, the very beautiful Madeline Gascoigne.
Years of mystery provider to the Crown have taught Gervase the worth of regularly having a loophole—there could be no marriage ceremony if he and Madeline are incompatible in any approach. So he units out to end up that they might make a such a lot dreadful fit . . . via luring her into his palms and, eventually, his bed.
From their first actual kiss, Gervase discovers that the headstrong and self sufficient Madeline is not any meek state pass over . . . and that the hearth among them will burn lengthy past that first seduction.
Read or Download Beyond Seduction (Bastion Club, Book 6) PDF
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4 daring, courageous, and decided ex-officers of the Crown band jointly to break the traitorous fiend often called the Black Cobra.
He races to accomplish their undertaking opposed to escalating odds -- his job made extra perilous while he loses his heart.
She's decided to defy conference and dwell a solitary existence -- till she tastes the reckless excitement discovered basically in his arms.
Drawn jointly by way of destiny, united by means of fiery ardour, they pursue their shared future. .. one they'll stay to determine provided that they unmask the Black Cobra.
Unique e-book: 1996
Jack Lester has to discover a bride. ..
But the place can he locate the suitable lady? She should be appealing, sort, an excellent conversationalist. .. and most vital, she has to simply accept him as he's: devilishly good-looking, fascinating and, so far as someone is familiar with, negative as a church mouse! If London society discovers his hidden wealth, he'll by no means locate the precise wife.
Jack's middle races while he first lays eyes on Sophie Winterton. She is every thing he desires--and more--but he's stuck in his personal capture. Believing that Jack must marry into wealth, Sophie rejects all his advances, sure he could by no means marry a terrible lady like her. As they play out a online game of cat and mouse, can Jack persuade her that she is the lady he wants--and that he's the husband she merits?
Captain Michael Hawkhurst relishes his fearsome acceptance, for he lives merely to wreak revenge at the Fulton kin, who so cruelly destroyed his personal. lively Alice Fulton is aware a boat is not any position for a girl, yet she is decided to avoid wasting her father's company. .. .When destiny provides him Fulton's virginal daughter as his captive, Michael faces a dilemma--should he dwell as much as his scandalous identify and locate revenge with candy Alice, or will his honorable facet win out--and win the lady.
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Additional info for Beyond Seduction (Bastion Club, Book 6)
People do talk to each other, do understand each other. And indeed it seems to me t hat t he relevance of the user's meaning to the understanding of what is said goes beyond tone, into sense and reference. ' An unfortunate Anglo phone might he in dire need to convince the authorities that the sounds he uttered were meant to represent English words, not Grim-Barbary words. Here the question of intention is absolutely crucial. ('What language were you speaking? ') But I think it is often quite central on countless other, much more everyday, occasions.
And why should we adopt ' relevance to the plot' as the decisive criterion ? That many people do, as a matter of fact, accept such a criterion is shown by the number of attempts that have been made to show that the ' irrelevances ' of Hamlet are not really irrelevant. But there is no compulsion to accept this criterion. Why should not a work be loosely knit and rambling ? Some people prefer that kind of work. There is a further, more subtle argument against the notion of genre. It is convenient to define literary kinds, like many other things, per differentiam.
As ver nacular literature became a subject for academic study the 42 Evaluative Criticism Academy tried to find it a haven from these contending winds of doctrine. Traditional literary scholarship had great things to its credit. But it had failed to supply a generally agreed doctrine of relevance with which to exclude all this barbarism. The need for this brought about the rise of formalism in university and college teaching in the twentieth century - what came to be known in the Anglo-American world as the ' new criticism '.